First week in class D

Another insei week is now done with, this one having been my first week in the D class. My result was another 7/7 (seven wins out of seven games), meaning that if there was a playing level difference to the E class, it’s still not quite decisive. I only played the insei ranked from place 5 to 12 (myself being ranked 11), so I didn’t get to play the insei who were in class C last month. I’m hoping they’ll be of different caliber than the rest — at least in class E, there was a notable difference between the previously-D-class insei and previously-not. The difference is mostly in technique relating to the opening game and to shape, so when playing a peaceful game, even class D insei can give me some hard time.

Indeed, having moved up a class, the first thing this weekend I wanted to probe out the level of my new opponents. The very first game I played peacefully, which actually led me to being a little bit behind in terms of points sometime in the middle game. Some manoeuvres later I did get the lead, however, and finally won the game by 6.5 points. Thanks to these games having byo-yomi, the opponents no longer make such blatant mistakes (well, myself included of course) as in the E class. My reaction to the first game was something along the lines of “Phew, that was close, better make sure I don’t get more games as close as this one”, and the six following games were more fighting-oriented. The same six I also won by resignation.

Some people have expressed interest in speculating the level of my future adversaries, so I went out of my way on Sunday’s lunch break to take photos of the C and D class results sheets:

I can append the results a bit from my memory: I, and the insei numbered 1-4, all got two more wins.

Just to get the number of Japan-related photos up, here’s also one from the Nihon Ki-in’s entrance hall:

The entrance hall of the Nihon Ki-in: doors are behind the photographer, and on the left side, out of the photo, we have shelves with copies of Hikaru no Go, free to read. The people here are following a go instruction television programme, which are shown through most of the day — unless there is an important professional game going on, in which case the game is relayed. In the very back, there are the elevators which I usually take to the insei classroom.

Of course, an insei related blog post is nothing without a game record, so here’s the second-most-peaceful game that I played this weekend. I was looking to fight in this one, but the opponent wouldn’t let me.

[sgfPrepared id=”0″]

I somehow got the impression that my opponent here (insei number 8 in the results sheet) is a fan of Lee Changho, due to his steady and simple way of playing.

At move 14, I had the sequence of black 1, white 2, black 3, white 4 and black 5 in mind, but for some reason I chose the inferior way of playing, seen in the game record. However…

…move 24 seems like an incredibly slow white move, even if there was some potential threat at d9 or e9 to try to cut the white stones apart. I would have played k3 as white without thinking.

At move 29, the game already feels good to black.

Move 38: this move, even if today sometimes seen in professional games, was the one that struck me as the most Lee Chango -like move in the game. It works effectively at getting a base for the white stone, prioritizing territory over influence since the centre area looks like dame anyway. I planned the answer of black 39 so that I’d have the chance to exploit white’s shape weakness of l18 later.

Moves 47-66: this sequence somehow worked incredibly smoothly for black; even though the corner died, black got a fair profit while reserving sente.

The game quickly proceeds to the endgame after the upper side sequence, starting with black l18, is carried out. Eventually, white resigns because of the point difference.

Since the D class has an even number of 14 insei, I’ll unfortunately no longer get teaching games with the instructors. However, it’s still possible to get a review if a game ends quickly enough, and if the teacher is free at the time, as long as I’m able to ask for the review in Japanese.

This week, on Thursday, I’m finally doing some vital Japanese go-related activity that I missed out on my last trip here, two years ago: I’m visiting the island of Innoshima, the birthplace of Honinbō Shuusaku (1829-1862), up to date one of the most famous (and strongest) go players ever. Innoshima is a good 700 kilometres away from Tokyo, so a two-day trip is necessary. Points of interest while in Innoshima will be Shusaku’s grave and the Shusaku museum, which includes go equipment used by the legend himself. Expect to read a report on this trip in approximately one week!

13 thoughts on “First week in class D”

  1. As a lowly kyu player, I find even the “simplest” games among dan players quite amazing, because moves that look so “kyuish” are then the ones that prove to be effective and then, wham!, the board explodes and it’s a mess I can’t follow… ^^

    From what you have shown us, I feel a very different style from Koreans on servers like Tygem, as if fighting spirit were shown in a different, more esthetically way… Do you get that feeling as well? Do you think this may affect your own style? You haven’t shown any hoshi san-san game so far… :-)

    Anyway, respectfully swipe the tatami with class D and next year it’ll be amazing in class C and on… ^^

    best regards!

    1. Ano… Sumimasen, chotto kidasai, Antti-senpai… My respects to Honinboo Shuushaku humbly to you I ask to present, as I won’t ever be able to visit myself… Arigatoo gozaimashita!


      1. I’ll remember to pass on the respects. :)

        It does seem like fighting is done slightly differently here. At least there is definitely much less blind fighting, which is a nice change from internet go servers. Lately I’ve been studying professional games with two komoku stones, and that’s why I’m currently playing them a lot myself.

  2. My amateur group had its annual overnight outing last weekend and we poached one of your teachers, Sakai Maki, to play Shidou Go with us. Naturally I had to ask him about the new insei. He is very impressed with your ability and, probably more importantly, your attitude. Of course he said it’s a pity you don’t speak Japanese! :-) You definitely should be playing in the upper classes. So don’t let up and carelessly end up repeating a month in any of the lower classes! Good luck.

  3. In the game when you thought about the variation after 14, what did you think about alternatives for White after your keima at F5? In GoGoD there is no example of a pro answering F5 with G4 in an analogous position. The most frequent reply would be the hane at B6 (e.g. B7, B5, C7, B8, B9, D8 from Kim Seong-ryong, 9d – Ch’oe Weon-yong, 4d in the 2006 Korean Baduk League 2006-12-15) with the keima from behind at E7 another possibility (e.g. Yang Yi, 6d – Cao Youyin, 3d from the 3rd Longxing Cup 2011-01-16 – there Black attached at G3 in reply)

    1. Truth be told, I didn’t consider the continuations from the f5 keima too much. Certainly white doesn’t have to answer with g4, though as far as the lower side is considered, g4 is a fine move. Without g4, black may get some use out of the attachment of g3 later. With b6, b7, b5, c7, b8, a7 and d8, black’s next move looks like f7, and some more fighting will occur. After white c8, white will get the sequence that starts from b6 in sente almost anytime he wants. In any case, any exchange having been made near the edge, the play will develop towards the centre next; for that purpose, black’s shape with f5 and f7 feels faster than the kosumi of e7 that black played in the game.

  4. Just wanted to say thanks for this series of posts. They provide a really interesting insight into insei life at the Nihon Kiin. Do you ever get the chance to play against the insei from the higher classes, or would you have time to play in a local/promotion tournament?

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